

With your input, we can work to make that happen.
#AUDIO CARTWALL PROFESSIONAL#
Whether you are a professional or a part-time audio fan, we value you and all of your audio projects. Great, good, or bad, we want to create the perfect app for all who work within the music industry and those who love audio projects. It's touch-screen friendly and can work at a variety of screen resolutions - 1024x768 being the native resolution. We offer fantastic support, visit our website and talk to us live! We appreciate all of your feedback. DAC Cartwall is an easy-to-use jingle player that offers multiple pages of instant audio buttons (56 per page) ready for quick playback or loading into a dedicated player. Our World class support can be accessed any time from our website. MP3 Downloader notifies you when leaving the app, upon track completion.Its touch-screen friendly and can work at a variety of screen resolutions - 1024x768 being the native resolution. HTTP Batch uploader, visit the URL the app shows in safari and upload your tracks fast in to iAC Studio DAC Cartwall is an easy-to-use jingle player that offers multiple pages of instant audio buttons (56 per page) ready for quick playback or loading into a dedicated player.FTP Import with an FTP client, drag tracks into iAC Studio simply and easily.
#AUDIO CARTWALL ZIP#
Zip up track files and email them to yourself or your colleagues.Tracks from your library imported quick and easy.The CartPlayer window is composed of several numbered sections called stacks in which you can drag & drop one or multiple audio titles or groups from the Database explorer. Visual alerts to end of track at 30,15, and 10 seconds left The CartPlayer is one of our applications that displays an easy-to-use graphic cartwall environment.Fully customizable options on the setting page that allows you to set the individual parameters for fading rates and ducking levels.Seamless editing of each cartwall while audio is playing!.Change cart position of any cart at any time.Notation for identifying each track easily.Visual alerts for the last 30, 15, and 10 seconds of a cart.

#AUDIO CARTWALL WINDOWS#
Also make sure that you have the console plugged into the same USB port at all times otherwise Windows may detect all devices as new, breaking your audio setup.IAC Studio is an amazing new audio app that allows you to playback multiple audio tracks at one time. It is recommended that you use WASAPI instead of DirectSound, as this will avoid mixing up of the several audio devices. The return signal for USB 1 will usually carry the “main” (program) output use this as the line-in device for streaming. The exact signal mapping can be looked up in the AIRLITE/WEBSTATION manual. These names will appear in the mAirList audio setup, so you can easily identify the correct USB audio channel.Įach audio device also has a stereo return signal, represented by a record device in the Windows audio settings. So we recommend that you first go to the Windows audio settings, playback devices, identify each USB channel, then edit each device and change it's name (“Speaker”) to something more useful (e.g. It is important to know that the order of these devices is somewhat random, and it does not coincide with the order of the USB channels on the mixer surface most of the time! When you plug the USB cable into your computer, Windows will detect the devices one by one, and give the sound cards names like “USB Audio”, “2-USB Audio”, “3-USB Audio” and “4-USB Audio” (names may vary). So there is a total of five USB devices inside the console. These USB channels all have their own USB (stereo) audio interface, all of which are connected to a common USB hub inside the console.Īlso connected to that USB hub is the USB control module used for remote control (see below). The AIRLITE has four USB channels/faders, labeled “USB 1” through “USB 4” (WEBSTATION: three USB channels) on the mixer surface.

The audio setup is not exactly part of the remote control configuration, actually it's entirely separate, but you will find the following remarks useful.
